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United Arab Emirates. Star Wars: The Complete Saga (1977-2005)Star Wars: The Complete Saga Blu-ray delivers great video and reference-quality audio in this must-own Blu-ray releaseSee individual titles for their synopses.For more about Star Wars: The Complete Saga and the Star Wars: The Complete Saga Blu-ray release, see published by Casey Broadwater on September 12, 2011 where this Blu-ray release scored 5.0 out of 5.Directors:,Writers:,Starring:,Producers:,This Blu-ray bundle includes the following titles, see individual titles for specs and details. Star Wars: The Complete Saga Blu-ray ReviewIs the Force strong with this one?Reviewed by, September 12, 2011It's Star Wars. Take a deep breath.
Nice and easy, no need to hyperventilate.Now, gograb a snack, fix yourself a drink—a stiff one if you need it—and come back when you're ready. We're about to dive into what's arguably themostanticipated home video release of the past twenty years, and maybe ever. For the most part, this isn't going to be a conventionalreview. I'mnot going to give a pithy plot synopsis for each film or argue the merits of Episode III. I won't get into details of characterization, andI'm notgoing to talk about the actors or discuss the technological feats that George Lucas and Co. Accomplished in the process of bringing these sixfilms to thescreen. There's no need.
You've probably already come to your own conclusions about Star Wars, and I'm not out to change them.And on theoff chance that you haven't seen the Star Wars films yet—and there are a few of you oddballs out there—here's my quickcapsuleopinion: The original trilogy is all kinds of awesome and the prequels are mostly disappointing, but all of the films are worth watching, if onlyso you canfinally understand what your nerd friends are rabidly arguing about. If you're reading this, the odds are you're a longtime Star Warsfan whosimply wants to know how this release of The Complete Saga stacks up against previous editions. And that's what we'll try to coverhere. I'llspend afew paragraphs on the changes made to the films for their Blu-ray debut, and then we'll get down to the nitty-gritty of the video transfers,the audiopresentation, and the bonus features.Chewie, Han, Leia, and Luke.A long time ago—1973—in a galaxy far, far away—Los Angeles—a young filmmaker named George Lucas started working on a scripttreatment for astory called The Star Wars. Drawing inspiration from the Flash Gordon space adventure serials he loved as a boy, andsketching outaplot loosely borrowed from Akira Kurosawa's The Hidden Fortress, Lucas penned a short 14-page synopsis that, over the next fewyears andseveral drafts, became its own entity and took on an epic, legendary scope. It was a sci-fi story, yes, but also a sweeping fantasy thatincorporatedanancient dualistic religion devoted to an all-pervasive Force, light-sword toting warrior monks known as the Jedi, and a young protagonist—initiallynamed Luke Starkiller—who would leave his outer-rim planet as an orphan and embark on a quest to fulfill his destiny.
Using anthropologistJosephCampbell's seminal work of comparative mythology Hero with a Thousand Faces as a narrative guide, Lucas essentially created amodernuniversal myth, one that has since spanned six main feature films, not to mention assorted TV spin-offs, animated movies, and an extensive,world-expanding series of books. There's no way George Lucas could've ever envisioned the impact his story would have on pop culture, genrefilmmaking,and yes, the lives of the millions of fans who would come to embrace Star Wars as a rite of passage and formative part of theirchildhoods.Tothese people, Lucas is a kind of god—literally, a universe creator. It goes without saying that just because this is Star Wars, it doesn't mean that this set is going to be the best looking Blu-rayreleaseof all time. So, temper your expectations. That said, we do expect a lot from George Lucas and THX when it comes to cutting edgehome videotechnology.
I'm happy, then, to report that, for the most part, these films look wonderful. Not all of them might be described as 'referencequality,'whatever that means—although Episode III probably qualifies—but the transfers/restorations the films have been given represent anexponential leap in picture refinement, integrity, and clarity from previous DVD releases.
While watching The Complete Saga thisweekendthere were several instances where I felt compelled to rewind and just bask in how beautiful certain scenes look in high definition.Let's get the bad out of the way first. Namely, The Phantom Menace. Somehow it seems appropriate that the worst film in the serieswouldhave the worst picture quality of the set, but it's still disappointing. The main culprit here is digital noise reduction. Unlike the other twoprequels,Episode I was shot on 35mm, but here it's been fairly strongly filtered so that grain is scrubbed out, giving a more video-ishappearance. I'massuming this was probably done to give a sense of visual continuity to the prequels, but it frequently results in softened textures andsmeared overdetail.
The application of DNR isn't nearly as egregious as it was in the notorious Predator re-release, but the image does look a bitoffat times, with faces taking on that distinctly smooth, waxy quality that always accompanies excessive filtering. It's not all badhowever; thepredominately CGI scenes—like the battle on Naboo—look excellent, if a bit outdated and cartoonish, and there are no issues with color orcontrast.Edge enhancement isn't a concern either—which is kind of surprising given that DNR is usually accompanied by oversharpening to compensatefor theinherent softening—and there are no blatant compression problems. The main improvement here, aside from the obvious increase in clarityfromstandard definition, is that there's actually more of the image onscreen now.
Let me explain. When the DVD was being prepared, theproducersslightly magnified the picture—essentially cropping on all sides—in order to avoid frame edges and artifacts like hairs stuck in the film gatefromappearing. This missing screen real estate has now been restored, for a more faithful representation of the original compositions.Attack of the Clones fares better all around, but noise reduction still dampens the level of clarity. Episode II was the first film intheseriesto be shot, processed, and edited with an entirely digital workflow, but it was felt at the time that some of the digital footage was toosharp,so it was softened in post. (Not specifically for this Blu-ray release.) The CGI-heavy sequences aren't as affected, but most of the live-actionfootagehas that characteristic filtered look, and sometimes the actors almost seem to have a kind of hazy glow around their bodies, especially whenthey'reclearly standing in front of a digital backdrop. That's not to say there isn't any fine detail on display here—there certainly is, especially in theintricaciesof the computer generated imagery—just not as much as there is in Revenge of the Sith, where Lucas and Co. Fully embraced digitalfilmmaking.Episode III is on a whole different picture quality plane of existence.
This is the outright stunner of the prequels, with a degree ofclarity andcolor that approaches Avatar and other high-profile eye-candy releases. You can see instantly how much crisper and more detailedeverything is here, CGI and live-action material alike. The filtering has been abandoned in favor of an exceptionally resolved picture.See thefabric of General Grievous' cape.
The clean lines of the nascent Darth Vader's shiny new helmet. The wrinkles on Yoda's weathered face.CountDooku's eyebrow hairs, individually visible. This is impressive stuff. Just as striking is the brilliance of the film's color. The first two prequels arefar fromwashed out, but Episode III takes the vibrancy up a notch, with tighter contrast, darker blacks—though not too dark—andsomegorgeously vivid hues, like hot magenta spacecraft exhaust ports and, of course, searing neon lightsabers. All of the film's environments—fromKashyyyk to the climactic lava world—look fantastic. I'm not big on scores—they're too arbitrary—but if The Phantom Menace is a 3/5andThe Clone Wars is a 3.5/5, Revenge of the Sith gets full marks.But, if you're like me, you're probably more interested in how faithfully the original trilogy has been ported to Blu-ray.
We've already coveredcontent,of course, so I'm talking cosmetically. Unlike the prequels, which look quite different from one to the next—especially in the jump from thesecond tothe third—the 1080p/AVC-encoded transfers of the three 'classic' Star Wars films are fairly consistent with one another and, in aword,amazing. If you need a number, I'm comfortable giving 4.5's across the board for the integrity and simple gorgeousness of these threetransfers. If you grew up watching these films on VHS you're going to be blown away. I don't say that lightly. When I popped in A NewHopeand saw that first great close-up of R2 in all his worn-in glory—the scuff marks finely resolved in high definition—I knew I was in good hands.And Ikept having moments like this. Seeing the weft of the fabric of Obi-Wan's cloak as he tells the stormtroopers 'these are not the droids you'relookingfor.'
The level of detail inside the Millennium Falcon. The mottled facial texture of the Yoda puppet in Empire. The almost palpableripples ofJabba's skin in Jedi. You'll notice background details you've never noticed before.
Imperfections in the model work. Aspects of thecostumesthat previously escaped your attention.There are certain scenes that look soft—I'm specifically thinking of the first few shots when our heroes land on Endor's forest moon—but anysoftnessseems inherent in the cinematography, not introduced later due to DNR. Any filtering of the original trilogy is minimal; there are no clay-like,Vaseline-smeared faces to worry about here.
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You can tell occasionally that the image has been lightly cleaned up, but grain is visible and better yet,the printsare absolutely pristine. I don't think I spotted a single white speck or bit of debris. The fluctuations that appeared on the DVDs are also athing of thepast; color is more stable now and better balanced. Remember how the lightsabers' hues sometimes shifted?
Color reproductioningeneral is astute; rich and vibrant without looking boosted or oversaturated. There are times when black levels seem like they could be eithera hairdarker or lighter, but contrast seems carefully considered for the most part, with an emphasis on preserving detail in the shadows. And asidefromsome light noise, I didn't see any real signs of depreciatory compression. I can't imagine these three films looking much better than they dohere. Isuppose it's possible, but I'll leave that for Lucas to figure out. Yes, yes, and yes again.
I don't even need to write up separate audio reviews for each of the films. You know why?
Because these losslessDTS-HDMaster Audio 6.1 surround tracks are perfect. Not perfect like, 'Yeah, they seem generally true-to-source and, no, there's no mufflingoranything,' but perfect like, 'Yes. This is what sci-fi should sound like.' Perfect as in completely exemplary in all thewaysyou'd hope they'd be. Certified Gold.Okay, let me calm down for a second before I fly off in a tornado of hyperbole. Really, though; these tracks are that good. If you've yet toexperienceJohn Williams' Star Wars theme in glorious 6.1 channel lossless audio, you've got quite a treat coming.
Williams' cues are some of themostrecognizable and hummable in the known universe, and they sound spectacular here, from the lilting and quiet heartswelling of Leia's themeto theballs-out, brash militancy of Vader's unstoppable death march, which feels like the brass section of the orchestra is clubbing you in the facewith theirinstruments. In the best way imaginable. All of the music is grand, filling every channel, with distinct placement of the instruments inthesoundspace. Rich, dynamic, full—you name it, that's what these scores are.And that's before we even get into the good stuff—the sound effects. Sound design has been a part of the movies since the late1920s, butthe Star Wars series emphasized it in a way that few films had previously done. The audio really is integral to the storytelling.
Think' StarWars sounds.' What do you hear? The electric hum of swinging lightsabers. The crisp pew-pew of laser blasters. The low ambient,oscillating rumble inside the Death Star. The high-pitched language of the Jawas.
Darth Vader's heavy, respirator-assisted breathing.Youcould go on and on. How many films can claim to have made noises iconic?But that's only the start of it. What makes these new 6.1 tracks so wonderful is how precisely and expressively they're mixed. Sound designand scoreachieve an ideal balance, each forceful and clean without drowning the other out. And the action sequences. Oh, the action sequences.Lasers criss-crossing the soundfield.
Spaceships swooshing in every direction, their pulsing engines roaring past with a kind of down-shifting DopplerEffect. Massiveexplosions that send concentric arcs of debris spreading out from front to back. The thunderous LFE roar of an Imperial Star Destroyer driftingoverhead. Even in the quieter moments there's ambience in the rears; the bleat of a tauntaun on Hoth, pouring rain before the Obi-Wan/Jango Fettfight in Clone Wars, et cetera, et cetera, et cetera.
Obviously, the effects in the prequels are a bit more sophisticated, but you'll besurprisedby how epic the original trilogy sounds. Throughout it all, dialogue is always easy to understand, and I didn't hear any disconcerting crackles,hisses, ordropouts. Fans couldn't have asked for more.Each film includes English Dolby Digital 5.1 descriptive audio, Spanish, French, French-Quebec, and Portuguese dubs, and optional subtitles inEnglishSDH, Spanish, French, and Portuguese. To start, a quick note on the packaging. The Complete Saga is housed in case that's nearly identical, structurally, to last year's AlienAnthology release—the same height, width, depth, and material.
(Only less glossy this time around.) The cardboard pages are thick andhaveembedded semi-circle slots for the discs, which are easy to slide out, but not so easy that you'd ever worry about them falling out on theirown. Eachpage features painted artwork, and in the back you'll find a 'Guide to the Galaxy' booklet that provides a break-down of what specialfeatures areincluded. I'm not incredibly fond of the cover art, but this is definitely a handsome Blu-ray set, one that will look great sitting next to theAlienAnthology on your shelf.See all packaging photos in theNow, on to the good stuff. I'll give a detailed listing below of everything that's included, but it will probably be beneficial to first give abreakdown of thetypes of special features that are spread out across these nine discs. Audio Commentaries: Each film includes two audio commentaries, and these are the only bonus features actually on the discs forthefilmsthemselves.
In addition to the tracks that were included on the DVDs—featuring George Lucas and various members of the cast and crew, allrecordedseparately—six all new tracks have been created especially for this release, comprised of archival interviews with, well, just about everyonewho everplayed a role in the creation of Star Wars, in front of or behind the camera, from George Lucas on down. These are more hodgepodgethantypical commentary tracks, but despite the fact that they were sourced from various interviews, they manage to stay fairly scene specific.There's awealth of Star Wars-related knowledge to be gleaned here.Along with the disc for each film, the set includes three bonus Blu-rays, where you'll find a substantial collection of old and new material. Thethird disccontains an assortment of documentaries, most of which we've seen before, while the first two contain film-specific supplements, arranged bythelocations within each film. You'll see what I mean below. The layout for discs one and two is fairly easy to peruse, but if you enjoy watchingspecialfeatures in bulk you might want to hit 'play all,' as the transitions between each section can get repetitive.
Here are the main kinds offeaturesyou can expect:. Interviews: All told, there's a little over two hours of interview footage here. Each major setting in each film has an 'overview,'wherevarious production designers discuss the particular challenges of creating and/or shooting in that location, and there are also several vintageinterviewswith other members of the cast and crew.
These are all technically presented in 1080p, but some of the material is clearly from standarddefinitionsources. Not that it matters much. Deleted/Extended Scenes: In total, there's about an hour and a half of deleted footage, almost all of it new. Worth noting is thatthedeletedscenes previously included on the DVDs is not included here, so you might want to hang on to those if you're a completist. It's clearthatinstead of trying to be comprehensive, the focus in compiling this material was to bring as much new footage to the table as possible. Andthere'ssome great, previously unseen footage here.
For the prequels it's mostly in the form of rough animatics and generally unfinished sequences,but theoriginal trilogy includes several alternate cuts and excised scenes that we be of real interest to fans, including Luke's trip to Tosche Station.(No, wedon't see any power converters.) Additionally, all the film footage has been scanned in 1080p. The Collection: In 'The Collection' you'll find scores of props, CGI models, prototype maquettes, costumes, matte paintings, andmore.Clickon any item and you'll be taken to a view of it that can be rotated 360 degrees. You'll also be able view close-up details and a briefinformative text foreach piece.
Better yet, most of these items are the subject of mini video featurettes that include interviews with model designers, costumers,animators, artists, and others. Between the first and second discs, this amounts to almost two hours and forty five minutes of footage. Concept Art Gallery: Here you'll find hundreds of pieces of preliminary artwork, covering character design, locations,vehicles,props,and more. You can view these individually or choose 'play all' and watch them as a self-playing gallery, which lasts thirty minutes on eachdisc.
Archive Fly-Through: On discs one and two you'll find an item labeled 'Archive Fly-Through,' which is exactly what it sounds like, avisualtour through the LucasFilm archives, a warehouse where every conceivable prop, model, and costume is stored. I really hope this stuff endsup in apermanent Star Wars museum someday. Each clip is about three and a half minutes long, in 1080p. Easter Eggs: It's rumored that there are several in the set, but I haven't found any yet. No, the 'untouched' original trilogy is not included.
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Yes, there are some goofy new additions, like Darth Vader yelling 'NOOOOO' as he throwsEmperorPalpatine over the railing. I don't think anyone expected this release of The Complete Saga to be free of controversy. This is a once-in-a-technological-generation event, and if your hatred of George Lucas' revisionist tinkerings keeps youfromenjoying some of your favorite films in high definition, you're missing out. Believe me, I share your pain. Whenever I hear that stupid funk songinsideJabba's palace, I cringe like a man being forced to bite down on tin foil or chew sand.
It's almost physically painful. But I'm done being bitter. I'mplayingthe long game.
One of these days, Lucas will wise up and realize that the original trilogy—in its original form—is a culturally and historicallyimportantpiece of pop art that belongs to its fans. But until that day, I'm going to enjoy this Blu-ray box set.
All Star Saga
The films have never looked or soundedbetter—Episodes III-VI are particularly impressive—and they come with a fantastic collection of special features. Highly Recommended!
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